To establish a setting, the year is 2013. The first of June. A Saturday, around 8 pm. The humid air folds itself around me like one would fold an origami bird (except not as crisp or as delicately.)
I think of the way everything disappears into the blue light at twilight, no longer painted gold. I think of the majestic poplars, towering so high yet shuddering in the breeze and casting peculiar shadows across the foreign ground. I think how, in my writing, I would like to capture the dewy smell of moist leaves and the sound of woodpeckers drilling pitch black beaks into rotted trees.
I romanticize it all.
In truth, a mosquito struggles thro
I.
How can one be profound
in 6th period civics,
where one answer reins,
opinion falls flat.
Like the soggy pita rounds from lunch,
like the smiles of children,
molded into crescent moons
in a family portrait on the beach.
Father, Mother, second cousin twice-removed
in matching starched white polos,
pleated jeans.
II.
How can one be profound
like the precision cut angle
of a black sharp fin,
peeking from the ocean.
Or the shears,
sharpened for each use
on sleepy-eyed students
to instill the importance of 'cyclical unemployment.'
Papers fluttering like moth wings,
staring out the window
into an 'equally poor' world.
Everyone believes she writes poetry
on her wrists
where blue veins connect
to a broken heart
and she says she's fine
and everyone believes
the fractured words falling
like snowflakes on an imperfect world
or a mirror, shattered,
looked upon with hatred
where a face morphs into a monster
and manifests itself as a reality,
where society becomes
the only truth,
a battle,
slowly being lost.
This clay and alabaster
Is disguised like a soul
And forced to contain
Imperial nothingness.
This rose colored child
With almond eyes
Is crying for a pain
She cannot feel.
And every day
She pricks her fingers
To bleed out in the snow
Just a bit.
But the pain never comes
And the rush
And swell
Cannot subside.
And every cinder is shriveled
Like a dying flower
Under the florescent lights
Of the world on a train line.
i.
She walks
In the copper grass,
Just knee high and
Bending to the south,
Bowing in the sand
Where little moths sleep.
ii.
You are
Vicious
And starling
And coiled like a snake,
But soft like the breeze,
Warranting love
Even when you reject
What I hold so dearly.
iii.
Your world
Is fiction
And your life is a lie
But I cannot refuse
The crashing tide
Or the seagull call
Or the unrelenting love
I cannot stop
Feeling for you.
iv.
They can
Keep us apart
But the words
Will keep us alive.
v.
I would lie down
For her
And fall
A thousand miles
Just to tell her
I love her.
If I could change
Anything at all
I would sacrifice
My being
My scarred soul
And close my eyes
To the destruction of the world
To never see your face
Or remain a day
Knowing
You would grow old
And your wrinkles
Would be my fondest achievement,
You should not have died
A porcelain doll.
When I was younger
And I believed in everything
The stars only existed for me
In a rotating world.
And God took up his inkpen,
Put the clouds where they belonged
Until he decided
He liked the blue better.
God is very indecisive, you see
And he likes his cloud pen
But he likes the blue
And he likes the people on his earth.
Sometimes
God and I would talk
And I would tell him a secret
That I liked his clouds better.
They would roll in
One by one
Giants on the warfront
With their armor and silver lining.
When they march in
Now in a different decade
I watch the blood spatter the window
In their vicious downpour.
Thinking to myself,
It&rsqu
The Taste of Your Words by MummyWriter, literature
Literature
The Taste of Your Words
The taste of your words
Is passive
And delicate
A chrysalis in the underbrush,
Uncomfortable in the river swells,
Weakened by the winds
But blossoming
In the pale yellow of summer
In the closing chapter
Of milky white constellations
Lost in translation
Or misunderstood
To be silence.
The Fictional Part of Existence by MummyWriter, literature
Literature
The Fictional Part of Existence
I paint myself in volumes
And bind back the tendrils
Of meadow sweet
And summer orange.
And every breath
Is the poetry of your addiction
And the fleeting touch
Of illuminated letters.
The fictional part of existence
Is drenched in the sad sound
Of your footprints in the marsh
And the silver full moon.
And every spun thread
By spiders in the morning
Catches the dew
And drapes the faults.
Pages strewn
With the ink of ages
Sit peacefully by the riverbank
Returning to silt.